The Art of Clive Barker



Clive Barker (born 5 October 1952) is an English author, film director and visual artist best known for his work in both metaphysical fantasy and horror fiction.  Barker came to prominence in the mid-1980s with a series of short stories which established him as a leading young horror writer. He has since written many novels and other works, and his fiction has been adapted into motion pictures, notably the Hellraiser series, Candyman series and the film Gods & Monsters.

Clive Barker's energy and imagination seem to have no bounds. Having written over a dozen novels and being the creative force behind thirteen major motion pictures, Clive's proliferance and talent are truly inspiring.  His movies have terrified and fascinated movie goers for over a decade. His novels have won him the acclaim of critics and the admiration of millions of fans around the world.

One of his first novels became the cult horror classic, Hellraiser, adapted and directed by Barker himself. In the early nineties, Barker began expressing his vicious visions in the medium of painting. Like his movies and books, Barker's paintings investigate reality, sexuality, and morality. Dancing across paper and canvas, one will find monsters and martyrs in all degrees of pain and pleasure.  Clive Barker's art has graced the walls of art galleries on both coasts of the United States as well as the walls of private collectors and fans all over the globe. It has been celebrated in three full length books - the incomparable pair of books in the Illustrator series from Fred Burke and 2005's Visions of Heaven and Hell - and has inspired some of the most-enduring images in the horror canon.

Like the graphic visualizations of a war correspondent, images drawn by Barker's hand capture in a frozen frame sights which exist on the fringes of imagination and report them back to an unsuspecting public tucked up safely in their own comfortable beds. Recurring themes of sexuality, masks and monsters allow insights into the written word - artwork, writing, directing : all part of one continuum that is "imagination".

Clive Barker's artwork expresses an unseen world of fantasy, co-existing with our own reality. His characters, while often physically misshapen and outrageous, portray very human emotions. Perhaps it is for this reason that many people find a deeper meaning within Clive's artwork in a genre too often prone superficiality

For Barker, painting is a visceral, non-intellectual process: "Writing - particularly the large books that I write - is a ritual, filled with elaborate, intellectual processes, and structuring a book is a big puzzle. Painting is not a puzzle. Painting is red and yellow. Painting is filling the brush with something that looks so tasty you feel like you could feed off it for a thousand years, then slapping it on the canvas and feeling an immediate emotional rush from it....Painting is about unleashing. Painting to me is: paint and a lot of cheap cigars and a lot of loud music." Where his epic novels require sustained mental effort, and his films require the collaboration with numerous other people, painting allows Barker to indulge in the immediacy of personal expression.

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